| Morality Play | |
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First edition cover |
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| Author(s) | Barry Unsworth |
| Country | United Kingdom |
| Language | English |
| Genre(s) | Historical novel |
| Publisher | Hamish Hamilton |
| Publication date | 1995 |
| Media type | Print (Hardback & Paperback) |
| Pages | 188 pp (first UK edition, hardback) |
| ISBN | ISBN 0-241-13341-6(first edition, hardback) |
| Preceded by | Sacred Hunger |
| Followed by | After Hannibal |
Morality Play is a semi-historical detective novel by Barry Unsworth. The book, published in 1995 by Hamish Hamilton was shortlisted for the Man Booker Prize.[1]
Contents |
The book is set in Medieval England sometime near the end of the 14th century and the events described in the book take place in an unnamed village in Northern England (north of the Humber). A priest fleeing from his diocese joins up with a group of traveling players. The players are traveling toward their liege lord's castle where they are expected to play at Christmas but, short of money, they decide to stage their plays at a village en-route. When a morality play from their usual repertoire fails to earn them enough money, Martin, the leader of the group convinces them to stage 'the play of Thomas Wells', a play based on the story of the murder of a young boy from the village.[2] The murderer has already been found, a young woman from the village, and the play seems simple enough, however they soon find that the facts don't fit. The line between the play and reality blurs and, line-by-line, they arrive at the truth about the murder.
The novel is unique in its portrayal of medieval English drama and mystery plays, as it implies that instead of merely rehearsing and performing standard Biblically-based morality plays of the period, that an acting troupe might actually create and structure a play around events in their village, community or surrounding culture. [3] The existence of such culturally-connected playcraft is important to scholars of the period, as it implies that works such as the N-Town Plays may have a provenance beyond simple Biblical literalness, and may speak to the concerns of the culture at that period, much as later drama of the Elizabethan period spoke directly to cultural concerns.
The novel was adapted for the screen in 2003, as The Reckoning, directed by Paul McGuigan and starring Paul Bettany and Willem Dafoe.
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